Ania Soliman
(Warsaw, 1970)- Abscond persona (amount-famed) [Witnesser 19], 2022-2022
- Ledge buddhist (xenon-ibid) [Witnesser 20], 2022-2022
- TF_Pluto_obsidian_leafage_1, 2022
- TF_Pluto_obsidian_leafage_2, 2022
- Journal of confinement series, 2020
- Journal of deconfinement series, 2020
- Small bamboo series, 2020
- Digital animal ( yellow ), 2020
- Natural Production 6 (yellow), 2014-2019
- bamboo 5255140, 2018
- bamboo 33447 (1535 leaves), 2018
- bamboo VHA101714, 2018
- Untitled (Natural Production – Alice and Bob), 2018
- Untitled (Surrealists Welcome the Digital Unconscious – Alice and Bob), 2018
- Untitled (Surrealists Welcome the Digital Unconscious – Alice and Bob 2), 2018
- Untitled (The Senses – Italian Bamboo), 2018
- Untitled, 2017
- Untitled, 2017
- Untitled, 2017
- Untitled, 2017
- Untitled, 2017
- Untitled, 2017
- Untitled, 2017
- Untitled, 2017
- Untitled, 2017
- Untitled, 2017
- Untitled, 2017
- Explaining dance to a machine, 2016
- Untitled (Freud ́s Couch), 2015
- Performance A & B, 2014
- WIR bank A & B, 2014
- On Display A & B, 2014
- Diagrams A & B, 2014
- Just like that, 2013
- Social Technologies (Wrench 1), 2013
- Metropolis Robot 3B, 2012
- Malanggan 2, 2012
- Metropolis Robot 3A, 2012
- Malanggan 1, 2012
- Untitled (Preserving Nature from the North to South Pole), 2012
Social Technologies (Wrench 1), 2013
Pencil, encaustic and pigment on paper
143,5 x 142,4 cm
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