Esther Ferrer

(San Sebastián, 1937)

Serie Triángulo de Napoleón, 1987

Mixed media on paper
633x 49 cm

All her work can be reduced into one: Esther Ferrer. She is the work. Not only she, her body and its energy in her performance pieces, but she, always she, in her objects, in her self-portraits, in her search for the infinite through the number Pi. In short, she, with her body, her voice, her ideas, her words, her logic and her excesses. Simply superb, any attempt to systematise her work and steer it towards an exhibition becomes a struggle that can only be won by entering into the epicentre of her thoughts.