Lúa Coderch
(Iquitos, Perú, 1982)- La suerte es una forma de atención, 2021
- Echo, 2021
- Palau de Vent, 2021
- We can still be friends, 2019
- Not I, 2018
- TGWNDOHM (Tubo #4), 2018
- The courage of shutting up, 2018
- Sore throat series (large), 2018
- Sore throat series (small), 2018
- AH 4/3 (mamma Hanningsen), 2018
- Vida de O, 2018
- Mueble bar (en rosa), 2018
- When other birds are still, 2017
- Shelter, 2016
- Conferencia en la oscuridad, 2016
- The Rainbow Statement, 2016
- Cold Reading, 2016
- Night in a Remote Cabin Lit by a Kerosene Lamp, 2015
- Screen Walls [dealing with the wind and not with gravity], 2015
- Chez les indiens, 2014
- Gold, 2014
- The Aspirant, 2014-2013
- Europe, 2013
- International style (Onix Wall), 2013
- Landscape III [The Laws of Imitation], 2014-2012
- Le petit livre rouge, 2011
Gold, 2014
HD digital video, wooden modular screen
28’43”
What is the amount of work required to produce an image? Gold is a videographic narration about how value and charisma are generated, and what is its relationship with distance, opacity and appearance. In the form of a concatenation of ideas and anecdotes, the narrative overlies a series of views of an enclosed space, as if it were a studio, a warehouse or an exhibition that is only accessible by means of the filmed image.
