Lúa Coderch
(Iquitos, Perú, 1982)- Orientation Exercises, 2022
- La suerte es una forma de atención, 2021
- Echo, 2021
- Palau de Vent, 2021
- We can still be friends, 2019
- Not I, 2018
- TGWNDOHM (Tubo #4), 2018
- The courage of shutting up, 2018
- Sore throat series (large), 2018
- Sore throat series (small), 2018
- AH 4/3 (mamma Hanningsen), 2018
- Vida de O, 2018
- Mueble bar (en rosa), 2018
- Stains, 2018
- When other birds are still, 2017
- Shelter, 2016
- Conferencia en la oscuridad, 2016
- The Rainbow Statement, 2016
- Cold Reading, 2016
- Night in a Remote Cabin Lit by a Kerosene Lamp, 2015
- Screen Walls [dealing with the wind and not with gravity], 2015
- Chez les indiens, 2014
- Gold, 2014
- The Aspirant, 2014-2013
- Europe, 2013
- International style (Onix Wall), 2013
- Landscape III [The Laws of Imitation], 2014-2012
- Le petit livre rouge, 2011
The Aspirant, 2014-2013
Book
23,5 x 15,5 x 4,5 cm.
PDF
Before money there was credit, credit is based on trust, trust is based on appearances. The Aspirant is an exact copy or facsimile of a another book (Graeber, David, Debt. The First 5,000 Years. Brooklyn, NY. Melville House, 2011), which is, in turn, a comprehensive study on the nature of credit and debt. The Aspirant pretends to be something else, approaching another object in aesthetic terms. If it succeeds, if its convincing enough, all the effort made in this approach (eg, all the working hours immersed in the object, its potential value as art or its cost of production) will go unnoticed.
