Pep Agut
(Terrassa, 1961)- Les imatges són un teixit, 2016
- Dijous, 2016
- Universal measures (all the paintings in the world), 2016
- Artistes i pretendents, 2016
- Túnica de guerra d'Ulises, 2016
- Penélope al món de la propaganda, 2016
- La cicatriu, 2016
- Res, 2016
- Comptaré les hores, 2016
- N, S, E, W, 2016
- Miraré tots els punts de l'horitzó, 2016
- Cap imatge encara, 2016
- Memento Mori, 2014
- Naixement de la forma, 2014
- Artista al seu lloc de treball, 2014
- Memoria Personal, 2013
- Sinapsi, 2011
- Broca / Drill bit, 2011
- Dislocación / Dislocation, 2011
- Bipolar, 2011
- 'L'Iguana' i altres Regions / 'L'Iguana' and other Regions, 2008
- Hèrcules (Autoretrat en devaluació econòmica i plusvàlua cultural), 2007
- Hèrcules espectacularitzant-se, 2007
- Hércules Público / Public Hercules, 2007
- Hércules, 2007
- Partes de, 2006
- Figuras / Figures, 2005
- Callarme / Gritar (Keeping quiet / to shout), 2005
- No em diguis el teu nom, 2004
- Casas de Adán (La idea de Hablar), 2002
- Interview, 2000
- Res és igual a res, 2000
- Bridge/Ruin, 1998
- Il y a, 1997
- Habitaciones exactas, 1989
Bipolar, 2011
Superimposed double projection of slides from B/W negatives. Projection size 30x40 cm.
PDF
ENG
Sense títol (Bipolar) is a double projection of B/W negatives projected as slides. Each of the projections shows a complete circular path. The first is a series (successesion) of words that are linked to each other by a subjective operation of a semantic association. The first words of the sequence refer to the work of art itself and to its fragments. The last words refer to the individual and his voice. The second one is a sequence of landscape images that show us “step by step” the trip on a long path that leads into the forest. The irregularity of the terrain is reflected strongly into the viewer´s eyes through the power of the beautiful images on the negative – ghostly like, that transport him to a place both silent and hyperactive. S/t (bipolar) gives contrast to two models of language – in short, of representation and reading - that are in charge of political and estetical signification, sufficiently extended to force us to draw a different conclusion with the exercise of each reading.
View installation at ARCO 2011
Text / Detail of the slide sequence of projector # 1
Text / Detail of the slide sequence of projector # 1
Text / Detail of the slide sequence of projector # 1
Forest / Detail of the slide sequence of projector # 2
Forest / Detail of the slide sequence of projector # 2