Pep Agut
(Terrassa, 1961)- Les imatges són un teixit, 2016
- Dijous, 2016
- Universal measures (all the paintings in the world), 2016
- Artistes i pretendents, 2016
- Túnica de guerra d'Ulises, 2016
- Penélope al món de la propaganda, 2016
- La cicatriu, 2016
- Res, 2016
- Comptaré les hores, 2016
- N, S, E, W, 2016
- Miraré tots els punts de l'horitzó, 2016
- Cap imatge encara, 2016
- Memento Mori, 2014
- Naixement de la forma, 2014
- Artista al seu lloc de treball, 2014
- Memoria Personal, 2013
- Sinapsi, 2011
- Broca / Drill bit, 2011
- Dislocación / Dislocation, 2011
- Bipolar, 2011
- 'L'Iguana' i altres Regions / 'L'Iguana' and other Regions, 2008
- Hèrcules (Autoretrat en devaluació econòmica i plusvàlua cultural), 2007
- Hèrcules espectacularitzant-se, 2007
- Hércules Público / Public Hercules, 2007
- Hércules, 2007
- Partes de, 2006
- Figuras / Figures, 2005
- Callarme / Gritar (Keeping quiet / to shout), 2005
- No em diguis el teu nom, 2004
- Casas de Adán (La idea de Hablar), 2002
- Interview, 2000
- Res és igual a res, 2000
- Bridge/Ruin, 1998
- Il y a, 1997
- Habitaciones exactas, 1989
Memoria Personal, 2013
Vídeo, B&N, HD, 13'08'', Ed. 3
PDF
ENG
Pep Agut, in “Personal Memory” (2012) constructs an allegory of painting, the foundation of his artistic training. The artist, naked, appears suspended in a space where he crawls slowly, whilst washing its surface. It’s the paint stained pavement of his studio, and he washes it as if it were a lifeless body. A list of words that relate to the body mark, as they do in Downsbrough’s piece, the succession of images in the voice and mind of those who are watching.
Video HD, 13'08'', Ed. 3
Video HD, 13'08'', Ed. 3