Richard T. Walker
(Shropshire (UK), 1977)- the fallibility of intent (extracted, rotated #1), 2019
- separately together (instance 8 - still), 2019
- separately together (instance 22), 2019
- these things, 2018
- an aquiescence of meaning, 2018
- this side of then, 2018
- this side of then (reprise), 2018
- an outline of a thought as it refers to its inner self # 3 - 5, 2018
- forever not quite #2, 2017
- this as determined by these #1, 2016
- occasionally related occurrences #1 and #2, 2016
- an is that isn't always, 2015
- a paradox in distance (repeated), 2015
- the vulnerability of the actual in the presence of itself, 2015
- more than this, 2015
- in accordance with things, 2015
- the predicament of always (as it is / as we are), 2015
- the fallibility of intent #5, 2015
- the plight of inconsequence, 2014
- a paradox in distance, 2014
- A paradox in distance (inverted) #1 and paradox in distance (inverted) #2, 2014
- the predicament of always (as it is), 2014
- the predicament of always (as we are), 2014
- what could be, 2013
- in defiance of being here, 2013
- us through this, 2013
- proximity of longing, 2013
- outside of all things, 2013
- our personal economy of meaning, 2012
- the speed and eagerness of meaning, 2011
- for all eventualities, 2010
- attempting to define the parameters of wanting, 2010
- i know you are everything but i still want you to be everything, 2010
- the insistance of distance, 2010
- everything goes as if it is always away, 2009
- what am we/you/i waiting for?, 2008
- a momentary release of candid forthcomings, 2008
- home, 2008
- a nice view, 2007
- i'll be lost when I find you, 2006
- successive inconceivable events, 2005
home, 2008
Performance with guitar, walkie-talkies, telescope
ENG
For the duration of an afternoon the artist played guitar and sang in a field approximately 400 meters from his studio. Inside the studio there was a telescope focused on the artist and walkie-talkies that transmitted the music the artist was making.
CAST
Durante una tarde, el artista tocaba la guitarra y cantaba en el campo, a 400 metros de su taller. En el taller había un telescopio enfocado en él y un radio que transmitía la música del artista.
