Richard T. Walker
(Shropshire (UK), 1977)- the fallibility of intent (extracted, rotated #1), 2019
- separately together (instance 8 - still), 2019
- separately together (instance 22), 2019
- these things, 2018
- an aquiescence of meaning, 2018
- this side of then, 2018
- this side of then (reprise), 2018
- an outline of a thought as it refers to its inner self # 3 - 5, 2018
- forever not quite #2, 2017
- this as determined by these #1, 2016
- occasionally related occurrences #1 and #2, 2016
- an is that isn't always, 2015
- a paradox in distance (repeated), 2015
- the vulnerability of the actual in the presence of itself, 2015
- more than this, 2015
- in accordance with things, 2015
- the predicament of always (as it is / as we are), 2015
- the fallibility of intent #5, 2015
- the plight of inconsequence, 2014
- a paradox in distance, 2014
- A paradox in distance (inverted) #1 and paradox in distance (inverted) #2, 2014
- the predicament of always (as it is), 2014
- the predicament of always (as we are), 2014
- what could be, 2013
- in defiance of being here, 2013
- us through this, 2013
- proximity of longing, 2013
- outside of all things, 2013
- our personal economy of meaning, 2012
- the speed and eagerness of meaning, 2011
- for all eventualities, 2010
- attempting to define the parameters of wanting, 2010
- i know you are everything but i still want you to be everything, 2010
- the insistance of distance, 2010
- everything goes as if it is always away, 2009
- what am we/you/i waiting for?, 2008
- a momentary release of candid forthcomings, 2008
- home, 2008
- a nice view, 2007
- i'll be lost when I find you, 2006
- successive inconceivable events, 2005
a nice view, 2007
1-channel video, color, sound
4min 20secs. Ed 5 +1 AP
ENG
The pieces uses a fixed image of an ideal landscape, written words, spoken text and his own musical composition as tools to confront the different sentiments associated with the experience of landscape.
CAST
La pieza utiliza una imagen fija de un paisaje idílico, palabras escritas, textos hablados y una composición musical propia como herramientas para confrontar entre sí los diferentes sentimientos asociados con la experiencia del paisaje.
