Pep Agut
(Terrassa, 1961)- Les imatges són un teixit, 2016
- Dijous, 2016
- Universal measures (all the paintings in the world), 2016
- Artistes i pretendents, 2016
- Túnica de guerra d'Ulises, 2016
- Penélope al món de la propaganda, 2016
- La cicatriu, 2016
- Res, 2016
- Comptaré les hores, 2016
- N, S, E, W, 2016
- Miraré tots els punts de l'horitzó, 2016
- Cap imatge encara, 2016
- Memento Mori, 2014
- Naixement de la forma, 2014
- Artista al seu lloc de treball, 2014
- Memoria Personal, 2013
- Sinapsi, 2011
- Broca / Drill bit, 2011
- Dislocación / Dislocation, 2011
- Bipolar, 2011
- 'L'Iguana' i altres Regions / 'L'Iguana' and other Regions, 2008
- Hèrcules (Autoretrat en devaluació econòmica i plusvàlua cultural), 2007
- Hèrcules espectacularitzant-se, 2007
- Hércules Público / Public Hercules, 2007
- Hércules, 2007
- Partes de, 2006
- Figuras / Figures, 2005
- Callarme / Gritar (Keeping quiet / to shout), 2005
- No em diguis el teu nom, 2004
- Casas de Adán (La idea de Hablar), 2002
- Interview, 2000
- Res és igual a res, 2000
- Bridge/Ruin, 1998
- Il y a, 1997
- Habitaciones exactas, 1989
Memento Mori, 2014
HD video, color, sound. Ed. 3
13’ 48”
PDF
ENG
“Memento mori”, contains two sets of alternate scenes: the artist in an interior space meditating around his desk, and the exterior negative takes, that refer to the images recorded on the retina and the symbolic significance of the river. The images of the artist going around his working table and the camera turning 360 ° in each take in order to record the totality of the visible in each of the landscape’s positions associate themselves as thought and memory do in the 'Vanitas' of Baroque painting.
Video stills. Memento mori, 2014, Video HD, color, sound. 13’ 48”