Jaime Pitarch
(Barcelona, 1963)- MDF/MFD, 2019
- Colgado, 2019
- Percha, 2019
- Clavo, 2019
- Los Olvidados, 2019
- Momentum, 2019
- Sin título, 2019
- La línea del olvido, 2019
- Momentum, 2019
- Fe en suspensión, 2019
- 2.200 minutes, 2018
- Invoice, 2018
- Artwork with its transportation box, 2017
- Framing the universe, 2017
- Endless fall into the void, 2017
- Tournesols, 2017
- QUI CUSTODIET IPSOS CUSTODES, 2014-2017
- Artificial tear level, 2017
- Reclamo, 2017
- Work in progress, 2017
- Pasajero, 2017
- Miedo al error / Fear of error (series), 2017
- The weight of time, 2017
- Eraser/ Container, 2017
- Corona real, 2017
- Alguien, 2017
- Immobile, 2017
- Untitled, 2017
- Constellations: Cassiopeia- Ursa Major The Sky Beneath My Feet, 2017
- Balance Económico, 2016
- Jabón de Alepo, 2014-2016
- Un lugar para la esperanza, 2016
- Penjat /Colgado, 2015
- Últimos movimientos del siglo XXI, 2015
- Carderilla, 2015
- Bauhaus is an art movement, 2015
- Acelerador de partículas, 2014
- Nail, 2014
- Eye Fatigue, 2013
- Broken dialogues, 2013
- Butterfly, 2001-2013
- White flag, 2013
- Por increíble que parezca dos cuerpos nunca se tocan, 2013
- Target, 2013
- Momentum 1997, 2011
- Still life, 2011
- Transubstanciation, 2009
- Theory of Evolution, 2009
- Autorretrato de un pintor engañado, 2009
- El Jardín de las delicias, 2009
- Entropía de Jackson: Jardín de las Delicias, 2009
- Chernobyl, 2008
- Office blues, 2008
- Close Encounters, 2008
- Before the fall, 2007
- Retrato de Sadam, 2006
- Dust to dust, 2005
- Line, 2005
- Pinocho, 2005
- Box, 2004
- Pangea, 2003
- Invading forces under fire of Bombcorn, 2002
- P (Matches), 2000
- Un coup de dés, 2000
- Parenthesis, 1998
- 900 Kg de saber, 1997
- In vitro, 1995
Últimos movimientos del siglo XXI, 2015
Customised bank statement
11 x 21 cm (without frame) / 17 x 27 x 3cm (framed)
PDF
Últimos movimientos del siglo XXI (Last Movements of the 21st century) is a clear example of the work by Jaime Pitarch in which man-made elements, inhabited by man or objects that have helped man to build an idea of himself or of what the world is, are constantly being used. Pitarch tends to dismember and reconstruct these elements and by doing so the distance between the original object and the new object, often dysfunctional, acts as a reflection of that space which lies between the original self and person, between the collective structures and our limited adaptation or identification with them. The new object often reflect the loss of the person by always applying a humorous touch.
On this bank statement it reads: “On the thermal paper of this bank statement you should write something free of all logic in order for it to last once the ink and the capital would have vanished.
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